Gadget Mania: 2015

Kamis, 24 Desember 2015

Valentine is pleased to present

OK for Now

Matt Freedman and Jude Tallichet

Opening Friday January 15, from 6:00 - 9:00

The exhibit runs through Sunday February 14

Please be aware of our new hours and extended run

“All solutions are temporary”

-Anonymous, but everybody seems to say it sooner or later

A lifetime of making a life and art with another person leaves a deep impression on both parties. We are altered by the presence of the other. The scars of our cohabitation become beauty marks, acquired fingerprints that identify us to each other and leave us incompatible with any other person. Nothing is ever settled in any relationship, and everything is up for negotiation, but after awhile a certain understanding is achieved. Lifelong partnerships, those twitchy stalemates with our beloved others, are all too finite, but as long as they do survive they seem to take forever.

OK for Nowis a joint installation of sculptures by Matt Freedman and Jude Tallichet, two artists who have spent 30 years deeply involved in each other’s business, rendering their exhibition a kind of conversation of objects between codependents. Using the vertical space of Valentine Gallery to maximum effect, Freedman and Tallichet deploy their pieces at all levels of the cubic volume of the gallery, from the floor to the ceiling, from wall to wall. The two artists have created flimsy support structures that clumsily present the work of the other via the deployment of any number of rickety racks, awkward altars, gimpy gibbets, tippy tripods and frail flagpoles that display and endanger works drawn from the Jude and Matt’s voluminous inventories. The effort is to embrace and enhance the cherished work of the cherished companion, but the result all too often is to distort and endanger that which is adored. The effect is both tender and highly unstable. The pieces seem to be at risk, as is any viewer who might edge cautiously through the space.

Of course, there is no danger. It’s only art, though the effect is real. The illusion of looming disaster can provoke as authentic an embodied response as the real thing. That too is art. The really tricky part was surviving long enough to get here.

Selasa, 20 Oktober 2015

Valentine is pleased to present,

Kurt Hoffman

Our Promised Lands

A 50-State Series

Opening Friday Oct.30 from 6:00-9:00
The exhibit runs through Sunday Nov.22

http://pendulous.org/50states/
valentineridgewood@gmail.com

Sabtu, 05 September 2015

Bobbie Oliver Valentine is pleased to inaugurate the new space with a solo exhibition curated with Mary-Ann Monforton.

Bobbie Oliver Paintings.

September 25- October 18, 2015

Opening Reception Friday, September 25, 6-9 pm

Teal Daylight 68 x 63 2010

VALENTINE

581 Woodward Avenue

Ridgewood NY 11385

718 600 9417

valentineridgewood@gmail.com

Friday-Sunday from 1-6pm and by appointment

Selasa, 24 Februari 2015

Bonzo the Dog - George Studdy

It's the same old time will you be my Valentine?

6 1/2" x 7 1/8"
circa 1920s, 1930s
marked: Printed in Germany
Mechanical Flat

I've got you for My Valentine

3 1/8" x 5 1/4"
circa 1920s
made in Germany
Cat holding a small dog that looks like George E. Studdy's Bonzo character
Flat with easel stand on the back

Bonzo the dog was created by George Studdy in 1922. The character was very popular and was featured in a wide variety of merchandise from candy tins and chocolate molds, to stuffed toys, pins, perfume bottles and paper goods. He was one of the earliest cartoon characters, sometimes appearing with a cat named Ooloo. A headphone-wearing version of him known as the Crosley Pup became the face of an affordable AM radio created by Powell Crosley Jr in 1925.

There are an enormous amount of postcards to collect, with an unknown amount of die-cut valentines too. For the truly obsessed there is even a possible soundtrack for your Bonzo-hunting in 1960's The Bonzo Dog Doo Dah Band.

Stecher of Rochester, New York

Oh, that this song of mine may reach your heart dear Valentine.

7" x 3 1/2"
circa 1920s
Mechanical Flat
marked with Stecher logo and '14'

Stecher Lithographic Company is most famous for its beautiful fruit crate labels and "nurserymen's plates." The latter were exhibited at the World's Columbian Exposition of 1893 in Chicago.

They began as Charles F. Muntz and Co in 1871, then became Mensing, Rahn and Stetcher around 1874/1875. They changed again to become Mensing and Stecher around 1878 and finally incorporated as Stecher Lithographic Company in January 1887.

Originally from Germany, Frank A. Stecher became a rounding success in the chromolithographic printing business. He worked with a number of well respected artists and found more designers through contests. One such was advertised in Arts and Decoration, Vol 4 of November 1913. Prizes ranging from $25.00 to $100.00 were offered for "the best original designs suitable for postcards for either Christmas, New Year or Easter designs."

The company still exists as Stecher-Traung-Schmidt. Its ties to Rochester were ended in 1980 when the plant there was closed. They now have offices in California.

**********************************************

Artists known to have worked for Stecher:

Frances Brundage
Margaret Evans Price
Jason Freixas
Gil Elvgren
E. B. Segner
Mary Mayo
John Z. Wood
Carl Peters

**********************************************

Sources:

Arts and Decoration, Vol 4, Nov. 1913, p 130

The National Nurseyman Vol 1 No 1, Feb. 1893, p 49

Nineteenth-Century Rochester Fruit and Flower Plates, www.lib.rochester.edu

The American Stationer, Vol 79, Jan. 29, 1916, p16

The Industries of the City of Rochester, Elstner Publishing Co., 1888. p 148

Coffee and Tea Industries and the Flavor Field, Vol 38, Jan., 1915

Sabtu, 21 Februari 2015

Valentine is now closed.

We will reopen at our new location at 581 Woodward Ave. on Friday September 25th. with new and recent paintings by Bobbie Oliver curated with Mary-Ann Monforton.

It's a bit smaller but the real estate wolf won't be knocking at the door for many years. It is with humble gratitude and appreciation to all who have given me the opportunity to share your work and to all who have visited that I say

Cheers!

Fred Valentine

Selasa, 17 Februari 2015

Puzzle Purse 1840s-1850s

Friendship's Wish

No rubies on the Indian shore,
Outshine thy noble mind;
Its radiance far excels them all,
And blesses humankind.

A heart of heavenly purity,
Is laid within thy breast;
And ever, for the weary soul,
It breathes some tone of rest.

5" x 5" opened
More text within card
circa 1840s-1850s
no publisher's parks
Heart Shaped Puzzle Purse

Puzzle purse style valentine cards were often handmade and square shaped in the 18th century. This heart shaped 19th century version is professionally printed with hand painted detailing on the front and back cover pieces. Our scans are only possible because this card has endured some minor damage. The thread at the bottom point of the heart that can be seen in the images of the hand-tinted covers would normally prevent the interior pages from laying flat. While this damage is unfortunate and does affect the card's value, it at least lets us take a more careful look at the interior printing. This card's rarity and advanced age mean that even with its faults it is quite a valuable find.

The earlier 18th century versions are even more rarely to be found offered for sale. These cards generally reside in the collections of museums or in the famous collections held by the Hallmark company, Norcross, etc. Many of these well known collections in the USA got their start when what remained of the enormous holdings of famed collector and card creator Jonathan King were split up and sold in the late 1950s. Despite King's location in England, a great many - perhaps even the majority - of his cards made their way to the States as Valentine's Day has enjoyed much greater sustained popularity here than in his home country. The Hallmark Historical Collection contains the largest portion of what was sold, having been purchased by the writer Carroll Alton Means and then either gifted or sold to the company.

The hearts that form the front and back of this puzzle purse can also be found as flats, folders and even wall hanging type cards. All are very old and quite hard to come by. The printing and hand painted detailing style is very similar to some small printed cards that can be found bearing the name "Howland." I have examples of these posted in the Esther Howland entry although it is possible they may be more properly credited to S. A. Howland, the printer, stationer, and father of Esther Howland, who was active before his daughter's famous valentine ventures.

***************************************************************
Sources:

Barbra Johnson, Ph.D. - Valentines A Collector's Guide, Collector Books, 2011

Frank Staff - The Valentine and Its Origins, Frederick A. Praeger, 1969